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</style> <![endif]--><!--[if gte mso 9]><xml> <o:shapedefaults v:ext="edit" spidmax="1028"/> </xml><![endif]--><!--[if gte mso 9]><xml> <o:shapelayout v:ext="edit"> <o:idmap v:ext="edit" data="1"/> </o:shapelayout></xml><![endif]--> </head> <body bgcolor=black lang=EN-CA link="#A0A0FF" vlink="#A0A000" style='tab-interval: 36.0pt' id=main alink=purple> <div class=WordSection1> <table class=MsoNormalTable border=0 cellpadding=0 width="100%" style='width:100.0%;mso-cellspacing:1.5pt;mso-yfti-tbllook:1184'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes'> <td valign=top style='padding:.75pt .75pt .75pt .75pt'> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><!--[if gte vml 1]><v:shapetype id="_x0000_t75" coordsize="21600,21600" o:spt="75" o:preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"> <v:stroke joinstyle="miter"/> <v:formulas> <v:f eqn="if lineDrawn pixelLineWidth 0"/> <v:f eqn="sum @0 1 0"/> <v:f eqn="sum 0 0 @1"/> <v:f eqn="prod @2 1 2"/> <v:f eqn="prod @3 21600 pixelWidth"/> <v:f eqn="prod @3 21600 pixelHeight"/> <v:f eqn="sum @0 0 1"/> <v:f eqn="prod @6 1 2"/> <v:f eqn="prod @7 21600 pixelWidth"/> <v:f eqn="sum @8 21600 0"/> <v:f eqn="prod @7 21600 pixelHeight"/> <v:f eqn="sum @10 21600 0"/> </v:formulas> <v:path o:extrusionok="f" gradientshapeok="t" o:connecttype="rect"/> <o:lock v:ext="edit" aspectratio="t"/> </v:shapetype><v:shape id="Picture_x0020_1" o:spid="_x0000_s1027" type="#_x0000_t75" alt="Description: Robert Vanderhorst" href="gallery/paintings/View_From_The_Gallery_-_Part_Two.html" style='position:absolute; left:0;text-align:left;margin-left:0;margin-top:-.35pt;width:129.75pt; height:225pt;z-index:251660288;visibility:visible;mso-wrap-style:square; mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt; mso-wrap-distance-top:0;mso-wrap-distance-right:9pt; mso-wrap-distance-bottom:0;mso-position-horizontal:absolute; mso-position-horizontal-relative:text;mso-position-vertical:absolute; mso-position-vertical-relative:text;mso-width-percent:0; mso-height-percent:0;mso-width-relative:page;mso-height-relative:page' o:button="t"> <v:imagedata src="images/promo/robert_portrait.jpg"/> <w:wrap type="square"/> </v:shape><![endif]--><![if !vml]><a href="gallery/paintings/View_From_The_Gallery_-_Part_Two.html"><img border=0 width=173 height=300 src="images/promo/robert_portrait.jpg" align=left hspace=12 alt="Description: Robert Vanderhorst" title="" v:shapes="Picture_x0020_1"></a><![endif]><a name=robert></a><span class=title1><span style='font-size:18.0pt'>Robert Willem <span class=SpellE>Vanderhorst</span></span></span><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'> is a self-taught artist with a talent inherited from his father and a technique born of a strong Dutch tradition in art. <a href="gallery/paintings/The_Jetliner.html" target=main></a>Emigrating from Holland to Canada in 1951, he now lives in Toronto, Canada. In 1979, he began publishing limited editions of his images under <span class=SpellE>Vanderhorst</span> Graphics. In 1973, he held his first solo exhibition. Over the next three and a half decades, <span class=SpellE>Vanderhorst's</span> imagery has been used in many diverse ways, including in music videos, television programs, live stage productions and record jacket designs, as well as illustrations in psychology journals and aviation book covers. His paintings have been featured in almost thirty exhibitions, culminating in two major retrospectives at the St. Lawrence Hall, Toronto in 2004 and 2005. <span class=SpellE>Vanderhorst's</span> work has also been featured and explored in two DVDs titled <cite><a href="dvd.html" target=main>View from the Gallery 1</a></cite> and <cite><a href="dvd.html" target=main>View from the Gallery 2</a></cite>.<o:p></o:p></span></p> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'>A new book on <span class=SpellE>Vanderhorst's</span> work titled, <cite><a href="news.html">Thirty Three years Twenty Six Paintings</a></cite> has also just been released. The book includes an introduction and short story, <cite>The Yacht Club</cite> by famed film director, <a href="http://en.wikipedia.org/wiki/George_Romero">George A. Romero</a><o:p></o:p></span></p> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><span class=SpellE><span style='font-size:9.0pt; font-family:"Arial","sans-serif"'>Vanderhorst</span></span><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'> was one of just over a dozen artists to be awarded a commission by the Greater Toronto Airports Authority to create an original painting for the new Pearson International Airport. <a href="gallery/paintings/The_Avro_Arrow.html" target=main></a>The painting, <cite><a href="gallery/paintings/The_Jetliner.html" target=main>The Jetliner</a></cite>, depicts the world's first short range jet transport, designed and built in <span class=SpellE>Malton</span>, Ontario, by Avro Canada. Robert has also painted Canada's most famous aircraft, <cite><a href="gallery/paintings/The_Avro_Arrow.html" target=main>The Avro Arrow</a></cite>. The painting was acquired by Canada's National Aviation Museum in Ottawa and is now part of their permanent art collection.<o:p></o:p></span></p> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><span class=SpellE><span style='font-size:9.0pt; font-family:"Arial","sans-serif"'>Vanderhorst's</span></span><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'> surreal style and detailed imagery appeals to collectors with an eye for art and an open mind. The bizarre imagination and attention to fine detail in the classical paintings of Spanish surrealist Salvador Dali was the initial inspiration for Robert's exploration into surrealism. His work also reflects the influence of three additional artists who he considers masters as well as mentors. The ironic and profound juxtapositions of images of the Belgian surrealist Magritte, the hauntingly mathematical and exacting graphics of M.C. Escher and the superb mastery of light and technique of Vermeer, have provided <span class=SpellE>Vanderhorst</span> with a visual and technical foundation upon which his canvases are built. &quot;With my surrealism, I try to create imagery that makes demands and asks the viewer to participate,&quot; says Rob. &quot;The scenes can be confusing and troublesome but still impart an odd sense of cohesion and normalcy.&quot;<o:p></o:p></span></p> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'>Highly introspective or simply there to admire, <span class=SpellE>Vanderhorst's</span> work is as thought provoking as you allow it to be. <o:p></o:p></span></p> </td> </tr> <tr style='mso-yfti-irow:1'> <td style='padding:.75pt .75pt .75pt .75pt'> <p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:9.0pt; font-family:"Arial","sans-serif";mso-fareast-font-family:"Times New Roman"'>&nbsp;<o:p></o:p></span></p> </td> </tr> <tr style='mso-yfti-irow:2;mso-yfti-lastrow:yes'> <td valign=top style='padding:.75pt .75pt .75pt .75pt'> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><!--[if gte vml 1]><v:shape id="Picture_x0020_2" o:spid="_x0000_s1026" type="#_x0000_t75" alt="Description: Nash the Slash" href="gallery/paintings/The_Play,_%27Mowitza_II_Muskoka%27.html" style='position:absolute; left:0;text-align:left;margin-left:2.25pt;margin-top:.05pt;width:129.75pt; height:225pt;z-index:251661312;visibility:visible;mso-wrap-style:square; mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt; mso-wrap-distance-top:0;mso-wrap-distance-right:9pt; mso-wrap-distance-bottom:0;mso-position-horizontal:absolute; mso-position-horizontal-relative:text;mso-position-vertical:absolute; mso-position-vertical-relative:text;mso-width-percent:0; mso-height-percent:0;mso-width-relative:page;mso-height-relative:page' o:button="t"> <v:imagedata src="images/promo/nash_portrait.jpg"/> <w:wrap type="square"/> </v:shape><![endif]--><![if !vml]><a href="gallery/paintings/The_Play,_%27Mowitza_II_Muskoka%27.html"><img border=0 width=173 height=300 src="images/promo/nash_portrait.jpg" align=left hspace=12 alt="Description: Nash the Slash" title="" v:shapes="Picture_x0020_2"></a><![endif]><a name=nash></a><span class=title1><span style='font-size:18.0pt'>Nash the Slash</span></span><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'> (1948 - 2014) was born of silent film. The name is that of a killer butler encountered by Laurel and Hardy in their first film, <cite><a href="http://www.imdb.com/title/tt0017813/" target=media>Do Detectives Think?</a></cite> (1927). With silent music running through his fertile brain, Nash the Slash has continued to give form to his unique concepts of sound and vision for over 30 years. His first live presentation of music to film was a performance set to Salvador Dali's 1926 silent film <cite><a href="http://www.imdb.com/title/tt0020530/" target=media>Un <span class=SpellE>Chien</span> <span class=SpellE>Andalou</span></a></cite> at the Roxy Theatre in Toronto.<o:p></o:p></span></p> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'>Nash composes and performs on electric violins, electric mandolins, drum machines, and synthesizers. He has been on the cutting edge of electronic music since the early 70s. He has also created his own independent music label, Cut-Throat Productions (a reference to his movie namesake), to retain control of his recorded output.<o:p></o:p></span></p> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'>In 1978, <cite>TV Ontario <span class=SpellE>Nightmusic</span></cite> produced a 30-minute show called <cite>Nash the Slash Rises Again</cite>. The show presented a series of surreal paintings on the screen, gradually revealing all their intricate details to the viewer while Nash performed live. These were the paintings of Robert <span class=SpellE>Vanderhorst</span>, and he and Nash would continue their collaboration for many years.<o:p></o:p></span></p> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'>In 1983, Nash the Slash and Robert <span class=SpellE>Vanderhorst</span> collaborated on a new video project called <cite>Bombardiers</cite>, a 45-minute presentation of nine of Robert's paintings set to Nash's music. Throughout the 90s, Nash composed film scores, including the music for Bruce McDonald's hit cult films <cite><a href="http://www.imdb.com/title/tt0098209/" target=media><span class=SpellE>Roadkill</span></a></cite> and <cite><a href="http://www.imdb.com/title/tt0102035/" target=media>Highway 61</a></cite>. He has also composed music for several silent film classics, giving new life to such early film gems as <cite><a href="http://www.imdb.com/title/tt0010323/" target=media>The Cabinet of Dr. <span class=SpellE>Caligari</span></a></cite> (1919), <cite><a href="http://www.imdb.com/title/tt0016039/" target=media>The Lost World</a></cite> (1925), <cite><a href="http://www.imdb.com/title/tt0013442/" target=media><span class=SpellE><span class=GramE>Nosferatu</span></span></a></cite> (1922).<o:p></o:p></span></p> <p class=MsoNormal style='mso-margin-top-alt:auto;margin-bottom:12.0pt; text-align:justify'><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'>Describing his music for <span class=SpellE>Vanderhorst's</span> paintings, Nash says, &quot;There are many disconnected images <span class=SpellE>occuring</span> in the minute details. The images can be familiar yet unsettling. We both use 'classical' influences -- fine art, form and melody -- juxtaposed to misplacement, distortion, and backward imaging. My music helps to make things connect, thus enhancing the viewing pleasure.&quot;<o:p></o:p></span></p> </td> </tr> </table> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; color:windowtext'><o:p>&nbsp;</o:p></span></p> </div> </body> </html>